App launch Campaign
Culture Trip
To celebrate the relaunch, we created a print campaign that highlights the app's unique features and encourages travelers to book their next adventure with Culture Trip's insider city guides.
I was briefed to come up with an advert that was both memorable and eye-catching. We wanted to create a campaign that stood out from the crowd and showcased Culture Trip’s unique approach to travel. To achieve this, we wanted to use illustration to help us stand out in an already crowded market.
Overall, our print campaign successfully captured the fun, unique and diverse user group of Culture Trip and encouraged travelers to book their next adventure with confidence.
Illustrator - Sam Peet
I was briefed to come up with an advert that was both memorable and eye-catching. We wanted to create a campaign that stood out from the crowd and showcased Culture Trip’s unique approach to travel. To achieve this, we wanted to use illustration to help us stand out in an already crowded market.
Overall, our print campaign successfully captured the fun, unique and diverse user group of Culture Trip and encouraged travelers to book their next adventure with confidence.
Illustrator - Sam Peet
Cost of the Crown
The Guardian
Following a long investigation into the spending of public money on the Royal family, The Guardian launched the Cost of the Crown series.
The series covered remarkable efforts to hide money, protect assets whilst receiving funding from the public by the Royal Family.
The stories were so out of touch with the experience that day to day Britons were having that I worked on a style that highlighted the absurdity with a surreal style.
Due to the success of the series, I was asked to produce a social first video summing up the stories. Collaborating with my colleagues on the social team we adapted the style that had been used for editorial to make something more snappy and engaging for a new audience.
The series covered remarkable efforts to hide money, protect assets whilst receiving funding from the public by the Royal Family.
The stories were so out of touch with the experience that day to day Britons were having that I worked on a style that highlighted the absurdity with a surreal style.
Due to the success of the series, I was asked to produce a social first video summing up the stories. Collaborating with my colleagues on the social team we adapted the style that had been used for editorial to make something more snappy and engaging for a new audience.
In search of a half-remembered passage among the French writer’s voluminous work, Elif Batuman turned to AI to help them find it. The results were instructive – just not about Proust.
I was asked to produce a design that would take an iconic portrait of Proust, and show it’s distortion through the mucky lens of AI.
I was asked to produce a design that would take an iconic portrait of Proust, and show it’s distortion through the mucky lens of AI.
Naomi Osaka Takeover
Telegraph Women’s Sport Monthly
To coincide Naomi Osaka guest editing the Telegraph Women’s Sport Monthly we produced a styleguide that stood out from the existing branding. We worked closely with Naomi to make something she was excited to be involved with which allowed her to not only work closely with the editors, but also be involved in the creative process.
As this edition was likely to bring a new, younger audience to TWS, we wanted something that felt exciting and energetic to compliment Naomi’s energy, on and off the court.
We also produced a series of promotional animations for the Telegraph Snap channel that included the diverse group of athletes that Naomi had chosen to include.
As this edition was likely to bring a new, younger audience to TWS, we wanted something that felt exciting and energetic to compliment Naomi’s energy, on and off the court.
We also produced a series of promotional animations for the Telegraph Snap channel that included the diverse group of athletes that Naomi had chosen to include.
The Bruno and Dom project
The Guardian
In the spring of 2022, Bruno Periera and Dom Phillips were killed whilst reporting on the destruction of the amazon.
I was asked to produce a cover for the Guardian which would celebrate their lives, their sacrifices and their work.
The work was used as the cover of the Guardian newspaper to launch the series, and throughout marketing materials that were used to bring attention to the work that was being done in the amazon.
I was asked to produce a cover for the Guardian which would celebrate their lives, their sacrifices and their work.
The work was used as the cover of the Guardian newspaper to launch the series, and throughout marketing materials that were used to bring attention to the work that was being done in the amazon.